Imitation may be the sincerest form of flattery, but it can often go so wrong. Painter, photographer, and ‘assemblist’ Richard Tuschman, set his sights on Edward Hopper for his series Hopper Meditations, resulting in a take on and a nod to Hopper’s command of mood, composition, tone, and hue, and an ode to his vision and unparalleled singularity. The reverse of “photorealism” (perhaps we could call it “brushrealism” here) occurs in this series, with Tuschman’s playful takes on Hopper scenes, replete with mysterious women, cityscapes, and the unspoken malaise of a woman too beautiful to be let out of the house. We heard from Tuschman in regard to Hopper Meditations.
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