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A documentary by Nick Broomfield is always to some extent about Nick Broomfield. He has cultivated an image as a gonzo filmmaker, striding into shot holding a boom microphone, headphones clamped over his ears, and in the politest possible way provoking chaos. ‘Unfortunately it comes very easily to me, to be slightly out of control,’
In 1952 it was voted the fifth greatest film of all time in the Sight and Sound poll, but today it’s all but forgotten. What’s behind the changing fortunes of Robert Flaherty’s Big Oil-sponsored nature drama Louisiana Story?