The Amazing True Story of Nathan Harrison
By DANIEL WEISS
March/April 2021
Around the turn of the twentieth century, Palomar Mountain became a popular destination for tourists from San Diego. Though the mountain lies just 60 miles northeast of the city, at the time, the arduous trip to its summit took several days via horse, horse-drawn carriage, or automobile. The final six miles to its 6,140-foot peak, up a winding grade from the mountain’s base, known as Tin Can Flat, took a full day. The single-lane, unpaved track ran alongside sheer drop-offs and was so steep that drivers would often tie trees to their bumpers for the descent in an attempt to spare their brakes. On the dry, dusty way up, it wasn’t long before the horses were panting for water and the Model T radiators were bone dry. So it was with great relief that, two-thirds of the way up the slope, travelers would come upon a spring attended by an aged African American man named Nathan Harrison.
Australian artist delves into Native American history for Kumeyaay mural project
Ocean Beach resident Simon Melnyk has painted murals including this marlin at Mariscos Mar de Cortez restaurant in Ramona.
(Julie Gallant)
The next mural to be showcased in Ramona will be a tribute to the Kumeyaay Native Americans. And if artist Simon Melnyk stays true to his ambitions, it will be an historically accurate rendition that celebrates how the tribe lived in harmony with nature for so many years.
Melnyk is just getting started on the 1,200-square-foot mural that will take up about two-thirds of the blank canvas on the Verizon building at 1530 Main St.