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Gordon Hookey and Gary Simmons: A Shared Language of Struggle

Published Jan. 22, 2021Updated Jan. 26, 2021 In the small, sun-scorched town of Cloncurry, Australia, the artist Gordon Hookey grew up very much aware of Madison Square Garden. “It was in the psyche of most Aboriginal people, because of boxing,” says Hookey, 59, who belongs to the Waanyi people. “In the early days, boxing was a means for young Aboriginal men an opportunity for achievement against the background of racism and inequalities.” Nearly 10,000 miles away in New York, the artist Gary Simmons, 56, grew up as an avid athlete and sports fan, often attending games at Madison Square Garden. Simmons, who is Black, has frequently made art that explores sports as a form of choreography, but also as a cultural arena in which Black athletes faced racism and broke barriers. A 2014 painting by Simmons, “Fight Night,” portrays the Garden’s famous marquee, rendered in the half-erased, eerie white outlines that have become a signature element of his work.

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