did it. first of all, it stands out right away because of that beautiful black and white photography by the late, great gordon willis. and of course you had that score by george gershwin opening with rhapsody in blue. it showed new york in the most romantic way. in a way that new york wasn t thought about in the 70s. hi. what are you doing here? well, i m here, of course i m here. here s a movie set mostly in little dialogue scenes between cynical, nervous intellectuals on a giant wide screen. isn t it beautiful out? there s this amazing sequence where they end up sitting on this little bench, and you see the 59th street bridge above them. i made it my business when i was in college to find that bench. this is really a great city. i don t care what anybody says. those are the kind of things that those movies made you do. you saw something amazing. in a part of the city that you d never been in, and you would try to find them. manhattan was ostensibly a comedy.
artistry. it s this beautiful symphony. there was really this feeling of, how can you top annie hall and in many ways, manhattan did it. first of all, it stands out right away because of that beautiful black and white photographer by the great gordon willis. and of course you had that score by george gershwin opening with rhapsody in blue. it showed new york in the most romantic way. in a way that new york wasn t thought about in the 70s. hi. what are you doing here? well, i m here, of course i m here. here is a movie set mostly in little dialogue scenes between cynical, nervous intellectuals on a giant wide screen. isn t it beautiful out? there s this amazing sequence where they end up sitting on this little bench and you see the 59th street bridge above them. i made it my business when i was in college to find that bench. this is really a great city. i don t care what anybody else