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The Independent Photographer Has Announced The Winners Of The Street Photography Awards 2023 Taken By Artists From Around The World (10 Pics)
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100 Contemporary Women Street Photographers Redefining the Genre
By Miss Rosen on March 7, 2021
Gulnara Samoilova, ‘Cloud Eaters’, 2018 © Gulnara Samoilova
Birka Wiedmaier, ‘Untitled’, 2019 © Birka Wiedmaier
Growing up in Ufa, the capital of the republic of Bashkortostan, Russia, Gulnara Samoilova fell in love with photography at the age of 15, and quickly discovered it was a means to escape the extremely patriarchal society in which she had been raised. She arrived in the United States in 1992, where she worked at the Associated Press, going on to win first prize in the World Press Photo competition for a photograph she made on September 11.
The trauma of that day affected Samilova for years. She left photojournalism, opening a commercial wedding studio, which she eventually closed when she realized that making money was simply not enough for her soul. By 2015, she reached a crossroads, knowing she had to return to make art, but she wasn’t sure how she would proceed
Ann Levin
This cover image released by Prestel shows Women Street Photographers, a collection of photos edited by Gulnara Samoilova. (Prestel via AP) March 08, 2021 - 7:06 AM
âWomen Street Photographers,â edited by Gulnara Samoilova (Prestel)
When Parisian authorities issued a decree in 1800 requiring women to obtain a permit to wear pants in public, the French writer George Sand defied the order. She dressed in menâs clothes and walked from one end of Paris to the other, later writing about the exhilarating feeling of being able to go wherever she wanted, whenever she wanted, and not have anyone pay attention.
Melissa Breyer, a writer and photographer, recounts that bit of feminist history in an excellent introduction to a new book, âWomen Street Photographers,â arguing that Sandâs âperipatetic explorationsâ of 1830s Paris helped pave the way for later generations of women who would use cameras, not pens, to
Melissa Breyer, a writer and photographer, recounts that bit of feminist history in an excellent introduction to a new book, Women Street Photographers, arguing that Sand’s peripatetic explorations of 1830s Paris helped pave the way for later generations of women who would use cameras, not pens, to chronicle their impressions of public life.
The book showcases the work of 100 women around the world today using cameras and cellphones to capture the lyrical moments of everyday life what Henri Cartier-Bresson once called the decisive moment. The pictures tender and funny, mysterious and unsettling were curated by Gulnara Samoilova, a former Associated Press photographer and founder of the Women Street Photographers project.
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