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It s Like A Catharsis That I Don t Want To Revisit: An Interview with Bebel Gilberto

It’s Monday 7th March and I a have Zoom interview scheduled with Bebel Gilberto. As I go through my notes, I keep imagining what her life as a child must have been like, being the daughter of João Gilberto, one of the masterminds behind bossa nova, and of Miúcha, a very talented singer from a. <a class="view-article" href="https://soundsandcolours.com/articles/brazil/its-like-a-catharsis-that-i-dont-want-to-revisit-an-interview-with-bebel-gilberto-65568/">Read Article</a>

Familial Bonds and Political Divides : 11 Brazilian Films to Watch

Familial Bonds and Political Divides : 11 Brazilian Films to Watch
latina.com - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from latina.com Daily Mail and Mail on Sunday newspapers.

What s New on DVD in June: Marlon Riggs, The Nest, 90210, Saw 4K and More

“The Columnist” (Film Movement) turns homicidal when she becomes the subject of attack by social-media trolls; over the course of “Three Summers” (Icarus Films Home Video), a Brazilian housekeeper (Regina Casé) strives to break out of a rigid caste system; Andrei Konchalovsky’s acclaimed “Sin” (Corinth Films) examines Michelangelo as both a legendary artist and a political animal, contending with the agendas of the Medicis and the Vatican. Based on the manga series, “The Great War of Archimedes” (Well Go USA Entertainment) looks at the Japanese navy’s efforts to build the world’s largest battleship; Japanese Oscar entry “True Mothers” (Film Movement) examines the life of an adoptive family and what happens when the birth mother shows up to demand the return of her son; Fabrice du Welz’s Ardennes trilogy concludes with

100 Best Movies Written by Women of All Time Rotten Tomatoes – Movie and TV News

The 100 Best Movies Written by Women Welcome to our guide of the best movies written by women: These are highly Certified Fresh films (nothing on the list falls below 94%) whose screenplay credit goes in part or fully to women. The journey begins nearly a century ago with 1925’s Battleship Potemkin, written by Nina Agadzhanova, inspired by her own participation in Soviet uprisings. Just two years later, Metropolis, cinema’s first sci-fi feature masterpiece, emerged out of Germany, written by Thea von Harbou. The 1930s were one of those peak decades for movies, in no small part thanks to King Kong (co-written by Ruth Rose),

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