environment that is in broad daylight with two hero characters fighting. shooting did take place during the middle of the pandemic, so we really weren t able to shoot anything on location in new york. we sent a small team there and they did some photographic reference, they had a couple of days in a helicopter where they shot some aerial footage for us, but the majority of the actual plate photography, with the real actors, was done in atlanta on a stage there. so they built like a 200 foot long piece of highway with real cars and that s where too holland and alfred molina were physically there fighting each other. we did have to then fill in the entire environment around that because it s a very small set. for the most part, tom was in his iron spider suit, so he s all cg, doctor oct has these big giant cg arms. and when they re fighting he s cg. and if they re throwing around cars or doing anything crazy, sometimes the entire frame is cg. so what we had to do was start with a scan an
we did have to then fill in the entire environment around that because it s a very small set. for the most part, tom was in his iron spider suit, so he s all cg, doctor oct has these big giant cg arms. and when they re fighting he s cg. and if they re throwing around cars or doing anything crazy, sometimes the entire frame is cg. so what we had to do was start with a scan and a lot of photographic reference of that environment and then, from that, build just a very accurate photo real representation of about three square miles of new york. the way we did it was we started with reference photography, we lined up maybe 10 15 angles from different parts of the bridge, looking out in different directions, and then we started matching that with our cg environment and just every day we would enter it three, four, five times and get closer and closer to the real thing. at the end of the day i think we had something like 500 unique assets, you know,
a very small set. for the most part, tom was in his iron spider suit, so he s all cg, doctor oct has these big giant cg arms. and when they re fighting he s cg. and if they re throwing around cars or doing anything crazy, sometimes the entire frame is cg. so what we had to do was start with a scan and a lot of photographic reference of that environment and then, from that, build just a very accurate photo real representation of about three square miles of new york. the way we did it was we started with reference photography, we lined up maybe 10 15 angles from different parts of the bridge, looking out in different directions, and then we started matching that with our cg environment and just every day we would enter it three, four, five times and get closer and closer to the real thing. at the end of the day i think we had something like 500 unique assets, you know, 70 cars, we had to build
they built like a 200 done in atlanta on a stage there, so they built like a 200 foot done in atlanta on a stage there, so they built like a 200 foot long - they built like a 200 foot long piece they built like a 200 foot long piece of they built like a 200 foot long piece of highway they built like a 200 foot long piece of highway with - they built like a 200 foot long piece of highway with real- they built like a 200 foot long | piece of highway with real cars they built like a 200 foot long - piece of highway with real cars and that was piece of highway with real cars and that was with piece of highway with real cars and that was with tom piece of highway with real cars and that was with tom holland - piece of highway with real cars andj that was with tom holland actually physically that was with tom holland actually physically they re that was with tom holland actually physically they re fighting - that was with tom holland actually physically they re fighting eac
but the majority of the actual plate photography, with the real actors, was done in atlanta on a stage there. so they built like a 200 foot long piece of highway with real cars and that s where too holland and alfred molina cars and that s where tom holland and alfred molina were physically there fighting each other. we did have to then fill in the entire environment around that because it s a very small set. for the most part, tom was in his iron spider suit, so he s all cg, doctor oct has these big giant cg arms. and when they re fighting he s cg. and if they re throwing around cars or doing anything crazy, sometimes the entire frame is cg. so what we had to do was start with a scan and a lot of photographic reference of that environment and then, from that, build just a very accurate photo real representation of about three square miles of new york. the way we did it was we started with reference photography, we lined up maybe 10 15 angles from different parts of the bridge, looki