i know have you got nervesz and stuff probably but, come on. ainsley: didn t she practice? that s probably what it was. just she was nervous. brian: you get that reverb in your ear. both of us came from recording background. have you never been a performer like we have. i will go over that later in the break. judge: dying to hear it, brian. steve: we have fox news senior judicial analyst you know that laugh anywhere. judge andrew napolitano. judge, i m a little confused, a couple days ago we had seen a passage out of james comey s new book. he was talking about possible obstruction of justice by the president of the united states. i think he said something like it was unlikely. and last night he said it s possible in the sound bite. watch. was president trump obstructing justice. possibly. i mean, it certainly some evidence of obstruction of justice. at some point in your mind, as you are writing these notes, have you shifted to collecting evidence of a possible crime? well, ye
it was taking a step back. i used to be able to walk into a room and say, i m bruno mars, i m signed with motown records. now i have to say i got dropped from motown records. you lose leverage and people believing in you. why didn t it work? how did you get told the news? it was like this. hey, we don t want you anymore. as brutal as that. it wasn t as brutal as that. it isn t motown s fault. i was too yuck. i didn t know what it was like. i knew i could sing. i knew i could sing but there s so much more i had to learn. i didn t come from the recording background. i came from doing live shows and performing with bands and that was my craft. i didn t know what it took to record an be a recording artist. now you have to write songs. now you have to establish who you are. i don t know if anyone knows who they are at 18 years old. did you react well or like
now i have to say i got dropped from motown records. you lose leverage and people believing in you. why didn t it work? how did you get told the news? it was like this. hey, we don t want you anymore. as brutal as that. it wasn t as brutal as that. it isn t motown s fault. i was too yuck. i didn t know what it was like. i knew i could sing. i knew i could sing but there s so much more i had to learn. i didn t come from the recording background. i came from doing live shows and performing with bands and that was my craft. i didn t know what it took to record an be a recording artist. now you have to write songs. now you have to establish who you are. i don t know if anyone knows who they are at 18 years old. did you react well or like most 18 year olds when i might have cried, shed some tears. did a part of you believe that, that maybe you weren t good enough? you definitely have those
it was taking a step back. i used to be able to walk into a room and say, i m bruno mars, i m signed with motown records. now i have to say i got dropped from motown records. you lose leverage and people believing in you. why didn t it work? how did you get told the news? it was like this. hey, we don t want you anymore. as brutal as that. it wasn t as brutal as that. it isn t motown s fault. i was too yuck. i didn t know what it was like. i knew i could sing. i knew i could sing but there s so much more i had to learn. i didn t come from the recording background. i came from doing live shows and performing with bands and that was my craft. i didn t know what it took to record an be a recording artist. now you have to write songs. now you have to establish who you are. i don t know if anyone knows who they are at 18 years old. did you react well or like
i m signed with motown records. now i have to say i got dropped from motown records. you lose leverage and people believing in you. why didn t it work? how did you get told the news? it was like this. hey, we don t want you anymore. as brutal as that. it wasn t as brutal as that. it isn t motown s fault. i was too yuck. i didn t know what it was like. i knew i could sing. i knew i could sing but there s so much more i had to learn. i didn t come from the recording background. i came from doing live shows and performing with bands and that was my craft. i didn t know what it took to record an be a recording artist. now you have to write songs. now you have to establish who you are. i don t know if anyone knows who they are at 18 years old. did you react well or like most 18 year olds when i might have cried, shed some tears. did a part of you believe that, that maybe you weren t