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The band Slaughterhouse after finishing a recording session last week at Screaming Leopard Studios in Hermosa Beach. (From left) drummer Nick Aguilar, bassist Eddie Cairns, singer Veronica Molidor, guitarist Taylor Ramirez. Photo by J.P. Cordero
After more than a year without live music, South Bay’s Slaughterhouse is ready for the roaring crowd
by Ryan McDonald
On March 6 of last year, when face masks seemed a paranoid overstatement, the band Slaughterhouse played a show at the Factory, a venue in a converted industrial space about a half-mile west of the Los Angeles River. Proceeds went to aid victims of the bushfires that had recently ravaged the east coast of Australia, and they shared the bill with Clit Kat, Feels, and NIIS.
Review: The Crumbs
(Recess Records)
Like a college band struggling with identity and focus, Crumbs has the potential but drops short of its goal, which is? Probably a mix of altrock and pop punk. Mostly hurting by the sappy 4th string vocals, tracks like Save the Drama(for your moma) dont help at all. Track seven, out of range, is a surprisingly good track, again, aside from the hurting vocals. Mayhaps a bad recording session, but nevertheless, it doesnt make up for the rest of the CD. One thing, they have a solid band; this isn’t their experiment album, and the music stays on the same course throughout this 12 song release.