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Sundance Film Review: Presence - SLUG Magazine

Presence is less a movie than it is a gimmick, and while I'm all for Soderbergh making smaller films, this is the latest frustrating example of his tendency to go for volume above all else.

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Presence Review: Steven Soderbergh Takes POV Cinema To New Heights With A Suspenseful, Terrific Ghost Story [Sundance]

Steven Soderbergh crafts a POV haunted house movie with Presence. Read our review of the Sundance ghost movie right here.

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Steven Soderbergh s new horror film Presence gave me a headache

Steven Soderbergh’s new horror movie “Presence,” which premiered at the Sundance Film Festival, is unsettling all right. The “Erin Brockovich” director moves his camera around so much, you want to yell at the screen, “Settle down, please! I have a headache!” There is a rationale for his nearly-non-stop motion shtick: the audience is experiencing the haunted house from the perspective of a ghost. And this particular ghost apparently needs to get its steps in. However, aside from a couple creepy voyeuristic scenes that the technique complements, its more obvious purpose is for Soderbergh to show off elaborate tracking shots.

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With Presence, a Hit Sundance Ghost Story, Steven Soderbergh is the Toast of His Old Haunt

Thirty-five years after his debut 'sex, lies, and videotape' wowed Sundance and kicked off a new era for American indie film, the hardest-and-fastest-working auteur in movies returns to the fest to push boundaries again.

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Presence Review: Steven Soderbergh Successfully Experiments With Ghostly Trauma In Horror Thriller

Presence Review: Steven Soderbergh Successfully Experiments With Ghostly Trauma In Horror Thriller
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