This year, many adaptations went smoothly from bookshelf to the box office, showing that a wealth of source material is available for cinematic translation
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Money can market hits, and sometimes make them, but this year’s highlights lavishly budgeted in some cases, micro-budgeted in others worked closer to an artistic impulse.
Oscar winner Adam Stockhausen explains the visual details of frequent collaborator Wes Anderson’s metatextual comedy, which leaned into the film’s film stage setting to present a vibrant vision of the region.