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Review: Ajeeb Daastaans: Take the sloppy with the smooth - INDIA New England News

INDIA New England News Ajeeb Daastaans (film on Netflix); Cast: Jaideep Ahlawat, Fatima Sana Shaikh, Armaan Ralhan, Abhishek Banerjee, Nushrratt Bharuccha, Inayat Verma, Konkona Sen Sharma, Aditi Rao Hydari, Shefali Shah, Manav Kaul, Tota Roy Chowdhury; Direction: Shashank Khaitan, Raj Mehta, Neeraj Ghaywan, Kayoze Irani; Rating: (three stars) BY VINAYAK CHAKRAVORTY It is provocative, for the way it twists the very concept of love from being an emotion that demands unconditional sacrifice to a mere tool for realising selfish gains. It is flawed, too, for the way it struggles to utilise that unusual premise, while bringing alive its spread of relationship sagas.

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'Ajeeb Daastaans' Review: A Mixed Anthology Bag With the Breezy and the Heavy Handed

Ajeeb Daastaans Review: A Mixed Anthology Bag With the Breezy and the Heavy Handed The four shorts juxtapose poignant penetrating ideas – long-denied representation in mainstream Bollywood – with sloppy, hurried execution. A poster for Netflix s anthology series Ajeeb Daastaans . The new Netflix anthology, Ajeeb Daastaans – produced by Karan Johar and the streaming website – according to a blurb on it, is a mélange of “unexpected catalysts” inflaming “the uncomfortable emotions simmering under fractured relationships”. That verbose logline also sounds muddled and vague. But the (inelegant) title at least prepares you for one expectation: ‘off-kilter’ stories.  No filmmaker takes that brief more seriously than Shashank Khaitan, helming the short,

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"Ajeeb Dastaans is a diverse, provocative bouquet of stories" – A Subhash K Jha Review | BollySpice.com – The latest movies, interviews in Bollywood

Ajeeb Dastaans(Netflix) Starring Jaideep Ahlawat, Fatima Sana Sheikh, Konkona Sen Sharma, Nusrat Bharucha,Abhishek Bannerjee, Inayat Verma, Shefali Shah, Pavan Kaul Directed by Shashank Khaitan, Raj Mehta, Neeraj Ghaywan, and Kayoze Irani This is a diverse provocative(sometimes too consciously so) bouquet of stories of four women in search of an emotional and physical fulfillment that eludes them because…well, they have obligations. Don’t we all! Uneven in quality, some of the plotting conceits verge on the absurd. To begin with, let’s take the first story Majnu directed by Shashank Khaitan. It is a passionless passion-tale about a marriage of convenience between a moneyed dangerous criminal Babloo(Jaideep Ahlawat) and Lipashi(Fatima Sana Sheikh). The film opens with one of Babloo’s henchman making a preposterous pass at his Bhabhaiji, and never recovers its equilibrium.

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Ajeeb Daastaans movie review: Take the sloppy with the smooth

On Friday (April 16), Netflix released the anthology film Ajeeb Daastaans on their platform The film has four segments directed by Shashank Khaitan, Raj Mehta, Neeraj Ghaywan and Kayoze Irani It is jointly produced by filmmaker Karan Johar and Netflix It is provocative, for the way it twists the very concept of love from being an emotion that demands unconditional sacrifice to a mere tool for realising selfish gains. It is flawed, too, for the way it struggles to utilise that unusual premise while bringing alive its spread of relationship sagas. Ajeeb Daastaans is a curious bag indeed, if only for its utterly wicked entertainment quotient, and also because it is a rare film coming out of mainstream Bollywood that looks at love as anything beyond a sacrosanct sentiment.

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'Ajeeb Daastaans' movie review: Good and bad co-exist in this morally ambiguous anthology

Ajeeb Daastaans movie review: Good and bad co-exist in this morally ambiguous anthology The common modus operandi seems to be a subversion of our expectations at the end, even if the effectiveness of this strategy wavers. Share Via Email   |  A+A A- Ajeeb Daastans, a four-part anthology, has atypicality in its stories, although the degree varies from film to film. Express News Service Karan Johar’s segment in the 2013 anthology, Bombay Talkies, ends with the song, ‘Ajeeb Daastan Hai Ye’, as a bewildered Dev (Randeep Hooda), who has just come out as a homosexual to his wife, sits, doubtful about his future. The song befits the fogginess of his situation, and with Karan Johar producing Ajeeb Daastaans, a four-part anthology, you can see where the idea might have stemmed from. Translating to ‘Weird Tales’, Ajeeb Daastaans has atypicality in its stories, although the degree varies from film to film. The common modus operandi seems to be a subversion of our e

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