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of course, in arabic. but this one he wrote in english. so i ll read it. one figure in the poem you should know, humbaba, which is an ogre, a monster of immemorial age. that was a special big garden, a forest, where all types of trees and flowers grew. the trees bending down gently flinging branches. our orchard grew like a crown on the sun s eyebrow. where did humbaba come from? his mother was just a cave, his father unknown. who made him a friend pretending guardian of the orchard. did those nice shrubs need fear to go begging for a garden and have humbaba in his treachery ilk. those plants and flowers were like books everyone could read, not cut and throw away. their different fantastic colors had formed our blood so our veins ran smoothly, our 7 wonders showed. then humbaba made a whirlwind of fire and snow. who crowned him king? who showed him our garden was but a jail? humbaba was great and scary, but not so very strong, though no one could ever conquer him as no one wo
dirt, a crooked mouth, fangs driping blood. it s not the savage guner waiting for our school on their way to school. no, this heinous replica of satan doesn t look like a jew. dopt make a habit of supplying the motives of sin with colors of skin because it s skin deep. a student with dreams of statehood or a teenage girl driven by desperation and fear or a dentist or an apprentice of a dead soldier, who crouches in the wounds of the dead and the dying, who hurls stones at tanks and encroaching soldiers, who stands unmoved before a roiling tank, who stares with barbed eyes. the enemy is never one who kills for no reason. the enemy is never one who must be vanquished at all cost. it is not so easy to kill from the inside, a shifting corridor of blame. not so easy to trace an intricate blame of betrayals and broken treaties. the enemy is not you, the enemy is not me. the enemy is muslim, christian, atheist, hindu, jew. he is our collective face, our evolution, the devolution, th
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