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Coronavirus lockdowns taught us how to listen again Here s what we heard

Coronavirus lockdowns taught us how to listen again. Here s what we heard SatSaturday 23 Lockdown sent cities silent. Print text only Cancel As a creative artist, my work explores how people interact with sound and how it impacts upon our daily lives through listening that s active listening with attention, rather than passive hearing. I do this by using recorded sound, particularly sound which is associated with place, addressing issues of memory and identity. This can be in pieces of music, sound installations or online sound maps, which I have been creating since 2005. My passion for listening comes from a concern that in an increasingly visually oriented world, it is easier for us to push sound into the background, rather than focus on it.

This is what lockdown sounds like

The 1750 Joseph Gabler Organ at Weingarten

The 1750 Joseph Gabler Organ at Weingarten December 23, 2020 Michael McNeil Michael McNeil has designed, constructed, and researched pipe organs since 1973. He was also a research engineer in the disk drive industry with twenty-seven patents. He has authored four hardbound books, among them The Sound of Pipe Organs, several e-publications, and many journal articles. Very few organs survive the depredations of time. Some are the victims of wars and fires, but most are the victims of the good intentions and interventions driven by changing tastes in sound. Those few that have survived such calamities usually have something special about them in their sound or their visual impact. The 1750 Joseph Gabler organ at Weingarten, Germany, is special on both counts its dramatic chorus makes music come alive, and the architecture of its casework and façade is a stunning tour de force.

Soundwalking: The joys of combining strolling and listening

Soundwalking: The joys of combining strolling and listening April Clare Welsh © Provided by The Independent Standing outside my front door, the first sound that hits me is a motorbike revving its engine a few streets away. Next, the high-pitched frequencies of loud beeps flood my ears, and a drilling noise from nearby roadworks is momentarily drowned out by a delicate rustling.  I start walking, my ears picking up a symphony of noises: the clatter of dishes, a barking dog, birds tweeting, someone talking loudly on the phone. At one point, bizarrely, I notice the sound of a pigeon’s wings flapping as it manoeuvres itself above me in the air.

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