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Misia-O wins Salon des Beaux Arts Jury Prize and opens exhibition at les Rencontres d Arles

Misia-O wins Salon des Beaux Arts Jury Prize and opens exhibition at les Rencontres d Arles Mineral Rebirth by Misia-O © 2021. by Lee Sharrock ARLES .- After being awarded the prestigious Prix du Jury by the Salon des Beaux Arts for ‘Different Shades of Yellow’, the critically acclaimed photographer will unveil ‘Different Shades of White’ photographic series at Arles Misia-O’ will be exhibiting a new series of photographs titled ‘Different Shades Of White’ at the prestigious les Rencontres d’Arles between 6 July to 25 September 2021. ‘Different Shades of White’ is the latest in Misia-O’s celebrated photographic series, following the critically-acclaimed ‘Different Shades of Yellow’, which was recently awarded the Prix du Jury (Jury Prize) at the Salon des Beaux Arts (SNBA) in Paris.

A Story of Three Churches: In the Footsteps of Willa Cather in Northern New Mexico

1. El Santuario de Chimayó We arrived in Chimayó in the lull after Easter. Nestled in the foothills of the Sangre de Cristo Mountains, the small hamlet lies about forty-five minutes north of Santa Fe. If I hadn’t seen videos of the great crowds that throng the sanctuary during Holy Week, I wouldn’t have believed this humble adobe church in the middle of nowhere could be the host of the largest number of religious pilgrims in the U.S but that is what it is. Known as the “Lourdes of North America,” many come in search of a cure for as an old woman says, in Willa Cather’s 1927 novel

Romania:Stamps Released on 150th Birth Anniversary of Theodor Pallady

Theodor Pallady was born in Iasi in 1871. After the first years of schooling, he lived in Bucharest (1886) as a pupil of the School of Bridges and Roads, and later in Dresden, as a student of the Polytechnic in this city. In parallel with his engineering studies, he took painting lessons with Ervin Oehme. He dedicated himself to painting and, in 1889, went to Paris to study in Edmond Aman-Jean’s studio. Later, starting in 1891, as a student at the School of Fine Arts in Paris, he studied in the studio of Puvis de Chavannes, husband of Princess Cantacuzino, the sister of the painter’s maternal grandfather. He had the

Alan Bowness (1928–2021) – an evangelist for modern art who transformed the Tate

Some achieve distinction in one or possibly two branches of the world of art, but few, if any, are outstanding in all of them. Alan Bowness – art historian, curator and museum director, critic and journalist, and a collector himself – was just such a man, for all his personal modesty and quiet public profile. What drove him was his love for, and thirst for knowledge of, 19th- and 20th-century art – painting and sculpture especially. This allowed him to become one of the most effective proselytisers for contemporary art, which in Alan’s heyday was very much a minority, and some would say elitist interest. (As an educator, he no doubt thought that every individual, with self-willed effort, might join in the pleasures that all the arts bring.)

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