The director and his VFX Supervisor, Jay Cooper, explain how they completely reversed the standard production process for his sci-fi epic, employing spontaneous live-action shoots that looked cool, not controlled, with 3D environments, digital matte paintings, and many other elements on the 1,600 visual effects shots designed afterwards, not before.
With his innovative and compelling sci-fi action adventure now wowing cinema audiences, the director discusses his radical new approach to filmmaking and VFX in the just released featurette, ‘Advancing AI: Creating The Creator;’ Edwards’ film was made possible by recent technological advances and a collaboration with James Knight, AMD’s Global Director of Media & Entertainment