to each his own i m a cop saw him at the nazi concentration camp and who can put. created by inmate and former boss pupil fonda elish it uses the unmistakable dollhouse typeface despite the fact of the nazi regime denounced the school for its degenerate art and even pressured its leadership into closing the ball house in berlin off its head and in the official propaganda they rejected the bow house entirely it was considered to be bolshevist jewish monks has done everything the nazis deemed negative in banking business and auditing is most often what an officially that stance wasn t as clear the nazi saw the typical baal house functionality as a sign of progress and welcomed its new objectivity. and the artists how did the often guard of the bauhaus respond after nine hundred thirty three. to take have a one of the most influential boss teachers he create
a graphic design on the universal typeface which became signatures of the ball house. but starting in one nine hundred thirty three by a began to create nazi propaganda designing catalogues and exhibitions which celebrated the ideology and racist doctrines of the third riteish. a devious suv they were a film about house pupils and teaches who remained and were eager to continue receiving commissions in gemini ones who then exhibited a little of the bow house s reformist spirit and ethical principles to. miss fonda hold was no exception in one thousand nine hundred thirty four he joined good those chamber of culture supported hitler and contributed to nazi exhibitions he just wanted to build regardless for whom enticed by new commissions he emigrated to. united states in one nine hundred thirty eight there he designed iconic structures like the seagram building in new york. miss fonda became
attributed solely to me. but also to the male dominated writing of history that was looking for classic heroes who warns of. heroes like nice wonder whore who designed the german pavilion for the one nine hundred twenty nine international exposition in barcelona together with the league. in fact she was the pavilions artistic director and it s doubtful whether ms fonda who were designed it s furniture on his own. soul who really created this design classes. and. it s an interesting question because this is an iconic piece of furniture at the day event. but there are many indications that many high created it. is interest is published under her name in one thousand nine hundred thirty tunes. and the only drawing of this day bed that exists is also by her from around one thousand nine hundred five and it s the anyone from the pre-war period for quite