lawrence: third hour of fox and friends starts brian: i think now. lawrence: let s do it. all i want for christmas is a good tan take me to the ilands and put my feet in the sand. sing silent night with the palm trees blowing. don t you think it s a pretty good plan. all i want for christmas is a real good tan. carley: how about that for a country song, i love that. you are looking at our all-american christmas tree and santa flying around new york city. before that, did you see lake worth, florida, so beautiful, sun peeking through the crowd. it looks religious and spiritual it was so gorgeous. folks in that area, you are going to get a suntan for christmas. lawrence: i can t get enough of that fire, around the fire with family. carley: a lot of people will celebrate like that. brian doesn t seem impressed by it. brian: i like the fire, i love the song until i am here for a tan. great message about mentoring, hey, christmas time, get a tan. lawr
illuminating conversations with offers. two years of powerful books. two years of reading resistance, there are two major takeaways, the direct attempts to remove books from classrooms and libraries are not slowing down. second, a book could quite literally save a life. i could say more, but today i will let the literature speak for itself. there are two things that encapsulate that truth, quite like the cult classic, the perks of being a wall flower. the perks of being a wall tower follows 15 year old charlie as he navigates high school after a friend s devastating suicide and reckons with the life altering intergenerational trauma. with the help of sam, a magnetic high school senior with an undeserving reputation, and patrick, who is harboring a secret relationship with the quarterback of the football team, charlie finds his footing and finds himself. i began by asking about his frequent use of 90s references throughout the book, including the song asleep by the smiths. i
joy to the world. the lord has come. the lord has come. everyone say joy to the world. the lord has come. the lord has come. it s wonderful. come on, y all. dear lord, yeah, yeah,. good morning, welcome to fox & friends on this christmas eve. once again, that was vincent and the sound of victory. performing out there on fox square, joy to the world. it s been a beautiful christmas eve morning which we ve spent together for the past three hours. we have one more hour to hang out for the fourth hour of fox & friends. you ve been sending in christmas eve photos. nicole: like this one from the o real family decked out in patching christmas pajamas. christine in michigan sends this photo, her dog jackson ready for christmas. jackson is definitely in the christmas spirit there. and this baby is sitting on santa s lap, santa s in you in y hat. love it. how did they get a perfect picture of a baby looking at the camera, smiling. you rarely get that.
now on bbc news, time for click. this week, nick s getting into his trunks to find out what a phone can do for a forest. now i ve just completed another survey injust under a minute. we ll find out what lara s thinking as she immerses herself in culture. i know what i m looking at now, but how do i feel? and less than two years after ai took up art, is it ready for hollywood? spencer s getting his big trailer voice ready. the ai will listen to the audio. deep trailer voice: ..and generate me a new one. jazz music plays. this is the tinpot jazz orchestra. it lasts less than a minute, but it is a charming, glitchy, cartoon like production created using generative ai video tools. now, this means that the characters weren t designed by illustrators and animators. instead, they were described in english to an ai, which then created them itself. the film was made by william bartlett, who s a creative director from visual effects house framestore, and who, like a lot of generative a
this is the tinpot jazz orchestra. it lasts less than a minute, but it is a charming, glitchy, cartoon like production created using generative ai video tools. now, this means that the characters weren t designed by illustrators and animators. instead, they were described in english to an ai, which then created them itself. the film was made by william bartlett, who s a creative director from visual effects house framestore, and who, like a lot of generative ai creators at the moment, put it together in his spare time. it started off life as a test. and i wanted to do a test that was more elaborate than just a couple of shots. i wanted to try and string together something which had a bit of narrative to try and drive the kind of ambition of the shots. will actually had to use different generative ai tools for different parts of the process. first, he asked midjourney to come up with some still images of the kind of characters that he wanted. and so i might describe a sort of