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Much has been written and said of late about the Benin Bronzes and Africa’s struggle for restitution of its stolen cultural properties in general. As one of the interlocutors who has helped to revitalise this longstanding issue that continues to trigger curiosity and capture public attention, I feel obliged to share my perspective on the long struggle for the restitution of these priceless cultural assets and take stock of the journey thus far. At the centre of this global debate are the Benin Bronzes, an open-and-shut case of theft, murder and racism that transpired in 1897 and, for that reason, the locus classicus of looted African art. The Benin Bronzes stand in contrast to other looted African art that may have been ‘lifted’ from an archaeological dig or burial site; the Benin Bronzes were forcibly stolen from the city after it was violently invaded by a British ‘punitive’ force, desecrating/burning the palace of the Oba of Benin and breaking all Just War doctrinal con

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