post-withdraw, what is it like? well, i was there last year i was there. it has gotten very tough. the iraqis have really clamped down. pretty much everything is off limits, even taking pictures in a market, but especially car bombs, things like that, almost impossible to take photos of. you say in your book that censorship became a starting point for this book. how so? well, there are a lot of things we were blocked from photoing by military regulation s or sometimes, either iraqi or u.s. government regulations were limiting us. i started to do the book really focusing on censorship. and from there, i started hearing stories, about the behind the scenes aspects of the war. carolyn, your perspective is unique because you were in iraq before the invasion and post-invasion, you were an imbed. how difficult was it to do your