THE FOLLOWING CONVERSATION, which took place at Kerri Scharlin’s “salon” in New York on November 5, 2023, is published on the occasion of the tenth anniversary of the series of six articles that Michelle Kuo, then chief editor of Artforum, commissioned from Thierry de Duve and published in 2013–14. They are the basis for “Don’t Shoot the Messenger,” the main section of de Duve’s new book, Duchamp’s Telegram: From Beaux-Arts to Art-in-General (Reaktion Books, 2023).
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Louise Nevelson’s Sculpture: Drag, Color, Join, Face, by Julia Bryan-Wilson, New Haven: Yale University Press, 2023. 352 pages.THE ICONIC LOUISE NEVELSON sculpture would appear straightforward to summarize: monochrome, modular, monumental. In general, such qualities and to them we might add wooden, assemblage, usually black, comprising found objects indicate an artist singularly absorbed, working through a set of formal propositions over a career, pursuing the archetypal enterprise of the modernist master. In particular, though, up close and personal, Nevelson’s sculptures are, well, defiantly