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Hong Kong Philharmonic and Paavo Järvi s shattering Shostakovich 5 caps all-Russian programme

Hong Kong Philharmonic and Paavo Järvi s shattering Shostakovich 5 caps all-Russian programme
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Rosalind Ventris: Sola

Rosalind Ventris: Sola
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Baeva, Ulster Orchestra, Rustioni, Ulster Hall, Belfast review - magic from an Italian star conductor

Live-streamed concert review: Jennifer Pike (violin) Petr Limonov (piano)

Jennifer Pike (violin) Petr Limonov (piano). Photo courtesy Wigmore Hall With almost 20 years of performing under her belt since winning the BBC Young Musician competition in 2002, Jennifer Pike has little to prove and plenty to show. Mostly relatively undemonstrative in physical gesture, she keeps her focus on the sound, not the look. And it’s a sound that was rich and vibrant from the start, in Bacewicz’s unaccompanied Polish Caprice, in which Pike’s full-toned opening lament gave way to a fast and flashy folk tune. Mozart’s two-movement Violin Sonata in E minor K304, was the only item not to reflect the violinist’s Polish roots on her mother’s side. Her judicious use of non-vibrato set a mysterious tone in the first movement. The Minuet shone with poise and clarity, its major-key Trio emerging with both brightness and warmth.

MusicalAmerica - MA s Free Guide to (Mostly) Free Streams, March 15-22

Richard Strauss’s Der Rosenkavalier. Vladimir Jurowski conducts Barrie Kosky’s new staging with Marlis Petersen (Die Marschallin), Samantha Hankey (Octavian), Katharina Konradi (Sophie), Christof Fischesser (Baron Ochs auf Lerchenau), and Johannes Martin Kränzle (Herr von Faninal). The new production will be performed in the arrangement by Eberhard Kloke which transcribes the score to match the orchestration of Strauss’s opera Ariadne auf Naxos. View here. 12 pm ET: IDAGIO Global Concert Hall presents Ex Cathedra: Baroque Passion. Jeffrey Skidmore and his choir Ex Cathedra present a program of passionate Lenten music by Kuhnau, Lotti, Monteverdi, and Purcell. It’s poignant music that yearns for resolution heart-rending as Mary weeps at the foot of the cross in Scarlatti’s

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