and they tried to have a standby director, to fire him, in case they fired him, then this guy would take over. but it was coppola s vision and his film making and his casting that made it all work, i mean, for me for everybody. the inspiration for the godfather came partly from the bestseller of the same name by american author mario puzo, published three years before the film s release. in an interview decades ago, coppola, who ultimately worked with puzo on the godfather screenplay, revealed he didn t have much initial enthusiasm for the project. anyone who remembers the original godfather book, it had a lot of sleazy aspects to it that, of course, were cut out for the movie and i didn t like it very much for those reasons and i was very frightened of getting once again co opted into another project, like, low budget it was a very inexpensive film and in those days, they wanted young directors because they wanted it cheap, and i did turn it down,
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much for those reasons and i was very frightened of getting once again co opted into another project, like, low budget it was a very inexpensive film and in those days, they wanted young directors because they wanted it cheap, and i did turn it down, actually, once or twice. much of the action in the godfather takes place at this house on longfellow avenue in staten island in new york. it served as the home to the don corleone family. the narrative that unfolds from this house provides audiences with a portrait of an italian american crime family in the 1940s and 50s. but it s more than that. it tells a story of one family member s transformation that of michael, who loses his soul. don t ever take sides with anyone against the family again. obviously, it s about family, obviously, it s about power but i think it s also, in many ways, a film