byjohn logie baird and it produced an image like this. meanwhile, in studio a, they were trialling an electrical system by emi and what they would do is they would alternate studios and systems on different days so they could compare the results and it turned out that emi s images at 25 frames per second were double the quality of the baird system. it had other advantages too. the baird camera was enormous. the emi one was somewhat more portable. and if you are filming with the baird system, you need quite a lot of make up too. well, this is how it was, playmates. black and white, you see? and a bit of blue down each side of the nose. very sexy. the emi system on the other hand could capture a well lit studio perfectly fine, so the winner really wasn t hard to choose. under the lid of the emitron was this, a cathode ray tube
the quality of the baird system. it had other advantages too. the baird camera was enormous. the emi one was somewhat more portable. and if you are filming with the baird system, you need quite a lot of make up too. well, this is how it was, playmates. black and white, you see? and a bit of blue down each side of the nose. very sexy. the emi system on the other hand could capture a well lit studio perfectly fine, so the winner really wasn t hard to choose. under the lid of the emitron was this, a cathode ray tube which is basically an old tv working in reverse, capturing the pictures instead of showing them. the emitron stayed in use without much change for many, many years. the coronation of king george vi was the first time the cameras were used outside and the broadcast was watched by about 50,000 viewers.
the bbc had actually opened up two studios at alexandra palace. this, studio bee was a mechanical system which was made byjohn logie baird and produced image like this. meanwhile in studio a they were trailing an electrical assisting by em! and what they would do as they would alternate studios and systems on different days so they could compare the result and it turned out that emi s images at 25 frames per second were double the quality of the baird system. it had other advantages too stopping the baird camera was enormous. that emi one was somewhat more portable. and was enormous. that emi one was somewhat more portable.- somewhat more portable. and if ou are somewhat more portable. and if you are filming somewhat more portable. and if you are filming with somewhat more portable. and if you are filming with the - somewhat more portable. and if you are filming with the baird i you are filming with the baird system you need quite a lot of cup too. system you need quite a lot of cu
of the baird system. it had other advantages, too. the baird camera was enormous. that emi one was somewhat more portable. and if you are filming with the baird system you need quite a lot of makeup too. well this is how it was, playmates. black and white with a bit of blue down each side of the nose. very sexy. the emi system could capture a well lit studio perfectly fine. the winner really wasn t hard to choose. under the lid was this, a tube which is basically an old tv working in reverse, capturing the gers instead of showing them. it stayed in use without much change for many, many years. in the coronation of king george vi was the first time the cameras were used outside and the broadcast
this, studio b, was a mechanical system, which was made byjohn logie baird and it produced an image like this. meanwhile, in studio a, they were trialling an electrical system by emi, and what they would do as they d alternate studios and systems on different days so they could compare the results, and it turned out that emi s images at 25 frames per second were double the quality of the baird system. it had other advantages too. the baird camera was enormous. the emi one was somewhat more portable. oh, and if you are filming with the baird system, you need quite a lot of makeup too. well, this is how it was, playmates. black and white, you see. and a bit of blue down each side of the nose. very sexy, yeah. the emi system, on the other hand, could capture a well lit studio perfectly fine, so the winner really wasn t hard to choose. under the lid of the emitron