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Theory of the Novel Spring 2020 | Duke Novel: A Forum on Fiction & Society for Novel Studies (SNS)

Theory of the Novel Instructors: Armstrong and Garréta Intended for graduate students and advanced undergraduates who want to pursue some area of novel, fiction, or narrative studies, this course examines a set of concepts that should provide them access to 1) the modes of thinking that characterize novels across the modern and contemporary periods and several different national traditions, 2) the various ways that critical theory has defined those concepts, and 3) reading the novel as a concept-driven argument in relation to other disciplinary discourses, especially critical theory. The course begins by considering a long and robust tradition of critical theory focused on the novel. Why does the attempt to think about the modern world in dialectical terms encounter some kind of historical limit where that thinking stalls or breaks down? On what basis do novels nevertheless continue to be written, taught in classrooms, and circulated for the pleasure and edification of literat

Obituary: Charlotte Cornwell, stage and TV actress who made her name in Rock Follies

Died: January 16, 2021. CHARLOTTE Cornwell, who has died aged 71, was an actress of fearlessness and class, who combined tenures with the Royal Shakespeare Company and National Theatre with a TV career that tapped into a more contemporary grit. Beyond acting, as a political activist and champion of justice, she was, as fellow actor Ian McKellen described her in a tribute on Twitter, ‘indomitable’. She found fame in Rock Follies (1976), Howard Schuman’s Fringe theatre-styled musical drama that charted the fortunes of the girl group, The Little Ladies. She played Anna, the most strident and driven of the group, alongside Julie Covington as the punky Dee and Rula Lenska as the aristocratic Q.

Philippe Jaccottet, disparition d un poète et traducteur

Philippe Jaccottet, disparition d un poète et traducteur
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Rosalind Knight obituary

The best directors always wanted Rosalind Knight in their casts. Photograph: Simon Annand/PA In a career stretching over seven decades, the distinctive, cut-glass character actor Rosalind Knight, who has died aged 87, renewed her TV profile with younger audiences in two quirkily original comedy sitcoms: Jonathan Harvey’s Gimme Gimme Gimme (1999-2001) and Robert Popper’s Friday Night Dinner (in the second series, 2012). She dressed down and mussed up her hair for Beryl Merit, a retired prostitute and landlady of the north London flat shared by Kathy Burke’s foul-mouthed Linda La Hughes and James Dreyfus’s acidulous actor; and reversed that process for Cynthia Goodman, aka “Horrible Grandma”, who aggressively stiffens the tone of the Friday night ritual hosted by her son (Paul Ritter) and his wife (Tamsin Greig).

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