The filmmakers, one regrets to point out, unreservedly accept the life-conditions and ideological assumptions of the local petty bourgeoisie as the entire contents of their artistic and psychological universe.
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Text of a speech delivered on behalf of the group, Arte Social, in Paris in 1896, in which one of the founders of French revolutionary syndicalism expresses his views on art and revolution, discusses the decadence of bourgeois morality and illustrates its deleterious effects on the morale of the working class by means of colorful anecdotes drawn from contemporary newspaper reports, and proclaims that "the goal of revolutionary art" is to "remove the veil from social lies".