Michael Mann explains the ‘unresolved’ tensions in the final moments of ‘Ferrari,’ which turn the film from a racing picture into an intimate tale of parental grief.
Add up Michael Mann’s many decades and finest hours as a filmmaker, and it’s clear the Chicago native has done a lot for us, along every kind of road. The nightscapes of “Thief,” “Heat” and “Collateral.” The antiseptic cubicle paranoia of “The Insider.” The digital breakthroughs, even before our eyes were ready for them, in “Ali” and “Miami Vice.” His directorial elegance, flecked with .