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I met Annlee one day last August, in the Fifty-seventh Street gallery of Marian Goodman, who represents Pierre Huyghe, one of the men who until recently might have been referred to as Ann’s co-owners but who have been reduced, through their own legal sleight of hand, to being just two among her many employers (handlers? puppeteers?). I was a little nervous. I had heard so much about Ann: how she had been created in the strangeness of Japan by a kind of manga talent agency, how she was condemned to death by commerce, given life by art, and was now facing some unknowable third state release.I knew

United statesFrance generalUnited kingdomSan franciscoMarian goodmanDominique gonzalez foersterWilliam gibsonLiam gillickRichard phillipsPhilip nobelMotoko kusanagiTakashi murakamiHenri barandeMelik ohanianAnn leeYoshitomo nara