was like, hey, phil daoust, do you reckon you can use clever words to take someone down? 0k, hold my beer. that was my attitude. i was like, you don t use. that s my tool. do you regret that now? regret the tone or the anger? no, no, no. i think it was very, very clever. and i think it was. i don t have regrets because i don t even understand the idea of regret. in a hypothetical parallel universe, given my time again, knowing where i was going to go and that i was going to have so much power and such a loud megaphone, i wouldn t have done it, but i didn t know even what digital technology was doing quite at that point. but are you better at taking criticism now? oh, no, no, no. you never get. you never. i m better at not reading it, and i ll never be in a situation again where one person s assessment of me can be so dominant in the digital space. but no, i m not good at taking criticism. you still take it personally? 0h, hugely, yeah. when did the tim minchin stage image and perso
In a shocking attack, the ballet director Marco Goecke smeared dog excrement in the face of Wiebke Hüster in retaliation for her review. Yet it isn’t the first time an artist has assaulted a critic. Our writers share their worst moments
Designers Nicholas Francoeur and Joel Fontaine Lortie renovate a single-story dwelling, utilizing double-height ceilings to maximize light and generate visual connections between the three levels.