The relationship between painting and early photography was an uneasy one; many painters felt threatened by the new medium, although others – those of a p
The study of the history of photography in Malta has, in the past few years, made gigantic strides. We now know a lot about the pioneers, the glam camera artists, the dominant studios, their product. But we have bypassed those more lowly in the pecking order – the itinerant photographer who daily set up his bulky camera in well-frequented public spaces, waiting for passing trade. They didn’t advertise, they did not sign or stamp their handiwork. It was cash and carry business. I believe the first to find them worthy of some mention was Kevin Casha in his milestone Photography in Malta.