suddenly, margie school is single gender. she s forced to wear head scarf. the world she knew is turned upside down. persepolis is a haunting look at war through a child s eyes, and an exploration of those single moments that s a final life. pick up your copy of persepolis and send bigger thoughts and questions to my story at velshi.com. i m going to tweet this out so you got a reminder of this. send them to my story of velshi.com. we ve got more velshi after the break. break. well, i switched to swiffer wetjet, and it s awesome. it s an all-in-one, that absorbs dirt and grime deep inside. and it helps prevent streaks and haze. wetjet is so worth it. love it, or your money back.
When the acclaimed South Korean director, Bong Joon-ho, won the Golden Globes for -Parasite, he said, “Once you overcome the one-inch-tall barrier of subti..
with siren, is it? yeah, i think one of the beautiful things about animation is you can do really great kind of attack scenes with planes and buildings that you need hundreds of million dollars a marvel kind of budget, to do as a non animation movie and these animated films also have the beauty of animation in that are a really touchable memory. is there anything really buzzy in the festival this year, would you say, that a lot of people are talking about? i think one of the films that everyone is kind of talking about is reality, which is a whistle blower film. what is really taking everybody by the horns is the central performance by sydney sweeney, who we know from white lotus. well, thank you, kaleem. enjoy the rest of the berlinale, keep on watching. i will. thank you. # go away from my window. joan baez has to be one of the most influential figures in american folk.
of special events to support iran, and a film that i found very intriguing was la sirene the siren. it reminded me of one of the best iranian films of recent years, which was also by a female director and an animation, persepolis. and this one is by a film maker, sepideh farsi, who had to leave iran at a young age. it s kind of based on her personal experiences of living through the iran iraq war in 1980 and it s about, really, it s a tribute to her father and it s a perspective of what happens when all of a sudden, your life is disrupted because of war. i think it s extraordinary the way animation has come on and really how it s used as a tool in so many of these films that you say waltz with bashir, but also flee, for example. it s really used to to bring war stories to life. so, that s the same