to laugh at itself? jonathan shapiro, better known by the pen name zapiro, welcome to hardtalk. thank you. well, it s a great pleasure to meet you, and i want to begin with something you said a few years ago. you said, moral outrage is what drives a cartoonist. you ve been at this cartooning for pretty much four decades. can you maintain outrage for four decades? you can. laughter when i was doing five or six cartoons a week, i would sometimes wonder what the hell i m going to do today, and you wake up in the morning and the news itjust keeps coming. it would happen to cartoonists everywhere in the world because that s what drives all of us, i m sure. anyone who takes this craft, or this genre of communication seriously. but in a place like south africa, the news just hits you from every angle every day at an unbelievable rate. i wonder whether there s something personal about this outrage, which clearly developed quite young in you. you had a lot of trauma in your family
become the inspiration for a continued struggle forjustice and accountability. forjustice and accountability a struggle now led by her three sons, one of whom, paul caruana galizia, is my guest today. what are the lessons of this tragic death in malta? paul caruana galizia, welcome to hardtalk. thank you so much for having me. it is a great pleasure to have you here and, indeed, also a pleasure to read your book. you ve just published it a death in malta: an assassination and a family s quest forjustice, you call it. you ve worked on this book for a long time. it is six years since your mother was murdered. working on the book, do you feel you have come to understand her in a new way? a different way? yes. so, the funny thing about the book was, i thought writing about her murder would be the very difficult thing, you know, for all the obvious and gruesome reasons. but in the end, what proved the hardest was learning about her life before the murder. in fact, before my br
to understand her in a new way? a different way? yes. so the funny thing about the book was, i thought writing about her murder would be the very difficult thing, you know, for all the obvious and gruesome reasons. but in the end, what proved the hardest was learning about her life before the murder. in fact, before my brothers and i were born, so what made her a journalist, the kind of country she grew up in. and that was all new to me. and it made, for personal reasons, the book its own reward. and it was only once i learned about her early years that i understood why she did the kind ofjournalism she did, and what drove her. had she been somewhat reticent about it in life? i mean, by the time she was murdered, you were in your late 20s. but ijust wonder how much you had talked to her about that really rather extraordinary decision she took as a very young woman, to get into writing and then into journalism. never, i m embarrassed to say. and i. you know, i guess i have a t
hello. i m andrea canning. and this is dateline. i was just like, oh my god this is really an answer. it may not be definitive, but this guy knows something. a young couple vanishes. then, nearly a decade later, a discovery in their own backyard turns the mystery into a murder. they find a back, and inside the back is a human skull. detectives had a suspect. and then, he disappeared, too. his trailhead just stopped. until this please, please, bring him back. he kidnapped his own daughter right from this boston straight, after claiming to be a rockefeller clark rockefeller. i hired a private investigator, trying to find out who i was married to. and they couldn t find out. now, a second chance for investigators to prove that this mysterious con man was also a killer. but was this case as clear cut as it seemed? there was no motive. there was no reason he would have done this. we will hear from detectives who helped crack this puzzlin