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Caves and Portals: The Hidden World Beneath Us & Rites of Passage
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My Favourite Painting: Isabel Ettedgui
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Notes from underground
By Peter Youngbaer, as told to Rachel HellmanUpdated May 8, 2021, 2:59 a.m.
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Peter Youngbaer exploring the New River Cave in Virginia.Courtesy of Peter Youngbaer
There is nothing like the stillness that envelops you 1,000 feet underground in the heart of a cave. My favorite thing to do down there is turn off my headlamp and just listen. I hear what sounds like a stream in the distance â itâs actually just a trickle of water, but the acoustics of the cave are unlike anything you can encounter on the surface. There might be a rush of cool air, signaling to me another passage. The breeze is weighty, yet free. Itâs really like entering another world within our own.
Did art peak 30,000 years ago? How cave paintings became my lockdown obsession Jonathan Jones © Provided by The Guardian Photograph: Patrick Aventurier/Getty Images
I was recently awoken in the night by lions, their eyes glaring in the dark from blunt rectangular faces as they stalked bison through an ancient, arid grassland. As I came to, however, I realised I was not about to be eaten alive. This was simply one of the perils of spending too much time looking at images of cave art on the web.
Cave artists could do it all. The faces of the animals they painted are exquisite portraits, while their bodies are rendered in perfect perspective. But wait – weren’t these supposed to be the great achievements of European art? After all, in his classic study The Story of Art, EH Gombrich tells how western art took off when the ancient Greeks learned how to show movement, that the perspective was discovered in 15th-century Europe, and that the communication of sens
Did art peak 30,000 years ago? How cave paintings became my lockdown obsession
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