There’s a point about halfway through After SFX (2018) where Lawrence Abu Hamdan pauses his performance—he’s just relayed the story of Lebanese President Émile Lahoud’s security tackling a cameraman after mistaking the sound of a tripod for the sound of a pistol—and a low, screeching hum, like a buzzing bee or a car burning out in the distance, fills the auditorium.
Venice, Italy (CNN) — Until recently, the Venice Architecture Biennale — arguably the world’s largest architecture exhibition — has drawn crowds for its (mainly Western) star appeal. Big, established names