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São Paulo Bienal echoes the political polarisation in Brazil

São Paulo Bienal echoes the political polarisation in Brazil
theartnewspaper.com - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from theartnewspaper.com Daily Mail and Mail on Sunday newspapers.

MUSEUM OF ART AND DESIGN AT MDC PRESENTS FIRST AMERICAN MUSEUM EXHIBITION OF ACCLAIMED ICELANDIC ARTIST HREINN FRIDFINNSSON: FOR THE TIME BEING

MUSEUM OF ART AND DESIGN AT MDC PRESENTS FIRST AMERICAN MUSEUM EXHIBITION OF ACCLAIMED ICELANDIC ARTIST HREINN FRIDFINNSSON: FOR THE TIME BEING
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Art collector Lonti Ebers will open an art centre to champion the work of contemporary artists

Amant Founder and chief executive Lonti Ebers with artistic director Ruth Estévez on site at the Amant Foundation Lyndsy Welgos. Courtesy the Amant Foundation. The American philanthropist and mega-collector Lonti Ebers will launch a sprawling non-profit art centre in Brooklyn this summer called the Amant Foundation. The 21,000 sq ft complex will span four buildings across two blocks in East Williamsburg and include two galleries, a performance space and studios for resident artists. The centre aims to “emphasise practitioners coming from the disciplines of theory, poetry and literature”, says its artistic director, Ruth Estévez, the former senior curator of the Rose Art Museum at Brandeis University in Waltham, Massachusetts, and the co-curator of the forthcoming São Paulo Bienal.

Philip Guston s Peculiar History Lesson

Philip Guston in his Woodstock studio, 1964. (Photo by Dan Budnick / Courtesy of Laurence King Publishing) You might remember that a retrospective of the paintings of Philip Guston was planned to open last June at the National Gallery of Art in Washington, and would then have traveled to Houston, London, and Boston. When the Covid-19 pandemic forced the museum to close, a new tour schedule was set: The show would open at the Tate Modern in London in February 2021, with dates in Washington, Boston, and Houston to follow. BOOKS IN REVIEW By Robert Storr If all had gone well, I might have flown to London to see that show and write about it. But the Tate is closed again, and I’m not flying anywhere, thank you. Besides, the National Gallery and its sister institutions chose to put off the Guston show until 2024 and then, after an uproar, until 2022. This is not the time or place to thrash out the rights and wrongs of the museums’ decisions and redecisions, or of the objections

Waldemar Januszczak on how Covid changed the art world

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