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Is it furniture, sculpture or decorative art? New exhibit at Clark gives Les Lalanne their museum moment

They are not furniture, they are not sculpture, just call them Lalannes. Hovering between the lines of sculpture, decorative art and furniture, Moutons de laine, 24 handmade woolen sheep that can be used as chairs or ottomans, were the first to be referred to by that name, in 1966, by sculptor François-Xavier Lalanne, one half of the art duo known as Les Lalanne. Shortly thereafter, their highly sought, surreal yet functional sculptures, all became known as Lelannes. Moutons de laine (Woolen sheep) (detail), François-Xavier Lalanne, 1968-1971. Patinated bronze, wool, aluminum, wood; sheep: Private collection. © 2021 Artists Rights Society (ARS), New York / ADAGP, Paris

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Kate Klingbeil. Grown Woman

9 Jan   6 Feb 2021 at Steve Turner in Los Angeles, United States

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Art Industry News: An Arts Critic Unpacks the Chilling Photos of 'Childish, Stupid, Dangerous People' at the US Capitol Yesterday + Other News

Art Industry News: An Arts Critic Unpacks the Chilling Photos of ‘Childish, Stupid, Dangerous People’ Who Stormed the US Capitol Yesterday + Other News Plus, Korean artist Kim Tschang-Yeul has died at 91 and the Metropolitan Museum of Art hired a new contemporary art curator. January 7, 2021 A protester supporting President Donald Trump moves to the floor of the Senate chamber at the U.S. Capitol Building on January 06, 2021. Photo by Win McNamee/Getty Images. Art Industry News is a daily digest of the most consequential developments coming out of the art world and art market. Here’s what you need to know on this Thursday, January 7.

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The most important moments in art in 2020

The most important moments in art in 2020 Noah Davis, Untitled, 2015 © The Estate of Noah Davis. Courtesy The Estate of Noah Davis. by Holland Cotter, Roberta Smith and Jason Farago NEW YORK (NYT NEWS SERVICE) .- The year was a 12-month stress test. When I asked friends, “How are you?” the repeat answers came: “Anxious,” “depressed,” “bored.” The first two I could relate to, but bored is something I rarely am. As a journalist, I’m addicted to art-specific information, to taking it in, parsing it, sorting it, trying to make sense of it. And there’s been a ton of it this year, all pretty intense. So as long as I’ve had a laptop, a home library, and at least some access to “live” art, I’ve been OK in lockdown mode. Here are some things that have kept me focused.

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