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I have waited for this day. In 2019, the Northeast band Restraining Order released their debut album This World Is Too Much, one of the greatest and most anthemic works of old-school fast hardcore that I’ve heard in recent years. That album is catchy and vicious and impeccably well-written, and I’ve had it in constant rotation ever since. A few months after it came out — and a few weeks before the pandemic shut everything down — I saw Restraining Order play an amazing house show in Richmond, at a place that’s since burned down, and that memory has stuck with me. I’ve seen Restraining Order a few times since, but nothing is beating that moment. Now, finally, Restraining Order are ready to follow that first album up.

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