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£50 surprise awaits former Trowbridge resident Pauline Burbidge | The Wiltshire Gazette and Herald

You are being sought by Rachel Withers who has a £50 cheque for you to collect. The cheque - compensation from a well-known UK high street bank - was sent to Mrs Burbidge s former address in Trowbridge. Miss Withers, 58, said: I am staying with my 94-year-old mother during lockdown and opened the envelope in error just before Christmas. It is dated December 11 and I opened it more than ten days ago. I would like to find Mrs Burbidge so that I can hand it over to her. Clearly, the bank which sent it has not got her current address. I have been told she has moved to Hilperton.

£50 surprise awaits former Trowbridge resident Pauline Burbidge

You are being sought by Rachel Withers who has a £50 cheque for you to collect. The cheque - compensation from a well-known UK high street bank - was sent to Mrs Burbidge s former address in Trowbridge. Miss Withers, 58, said: I am staying with my 94-year-old mother during lockdown and opened the envelope in error just before Christmas. It is dated December 11 and I opened it more than ten days ago. I would like to find Mrs Burbidge so that I can hand it over to her. Clearly, the bank which sent it has not got her current address. I have been told she has moved to Hilperton.

How Vadehra Gallery s art publishing became the medium through which it operated during the pandemic

A selection of Vadehra Art Gallery s books. In Europe and other parts of the world, funding and national endowments support art and cultural institutions and citizens themselves demand intellectual engagement as an essential element of public life. There is, in the same way, a compelling need for investment in the arts in India, where a lack of wider public engagement further contributes to its absence. Perhaps it doesn’t help that the art world is often considered a world turned in on itself – out of touch and out of reach. Historically, the art gallery became synonymous with the term “white cube”, suggesting a space in which time, through the objects on display, could transcend its momentary inflections for a genuine glimpse of eternity. But despite walls that seem to move each time you visit, the gallery is actually an ideological space that is rooted in place. Our art ecosystem very much exists in, and responds to, the world we live in, and it is our primary re

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