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Triumphs despite the obstacles: The year in opera

Elizabeth Flux reviews the year that was in opera: the hits, the misses and the innovations likely to stick.

Victorian Opera apologises for lack of diversity in Tommy cast

The cast announcement for the production, set to open in August at the Palais, on Thursday morning almost immediately attracted criticism.

Big opera is back: Aida set to dazzle as high-tech meets Ancient Egypt

Big opera is back: Aida set to dazzle as high-tech meets Ancient Egypt We’re sorry, this service is currently unavailable. Please try again later. Dismiss By Patricia Maunder Save Normal text size Advertisement May 6 is a significant date in Melbourne’s COVID-era recovery. The State Theatre will come alive after a year in darkness, when Opera Australia performs here for the first time since December 2019. Unlike many other performing-arts organisations, which have cautiously approached this pandemic year with small casts and minimal sets, the company is returning to its southern port with all guns blazing. Opera Australia’s spectacular production of Aida.

Big opera is back: Aida set to dazzle as high-tech meets Ancient Egypt

Big opera is back: Aida set to dazzle as high-tech meets Ancient Egypt
theage.com.au - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from theage.com.au Daily Mail and Mail on Sunday newspapers.

The Australian planning operas in the land of Game of Thrones

The Australian planning operas in the land of Game of Thrones We’re sorry, this service is currently unavailable. Please try again later. Dismiss Save Normal text size Advertisement When the chance to move to Northern Ireland to run an opera company came on his radar, Australian director Cameron Menzies thought of one thing straight away: it’s where they made Game of Thrones. “Northern Ireland has such amazing venues and sites,” he says. “It’s the playground of Game of Thrones – so many great visual spaces.” Opera director Cameron Menzies Credit:Craig Fuller for Victorian Opera His imagination ran riot. What if, for example, he could find beautiful castle ruins to stage Bartok’s expressionist

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