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artnet AG (via Public) / Editors Picks: 6 Events for Your Art Calendar This Week, From Jónsi s Sonic Volcano to the Met s Afrofuturist Period Room

artnet AG (via Public) / Editors Picks: 6 Events for Your Art Calendar This Week, From Jónsi s Sonic Volcano to the Met s Afrofuturist Period Room
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New yorkUnited statesNew jerseyMetropolitan museum of artParrasch heijnenEileen kinsellaLisa reisnerTanya bonakdarLos angelesClarence moorePaul salvesonAnna marie kellenNan stewertGillian laubAnnie armstrongHannah beachler

Parrasch Heijnen opens an exhibition of new work by Maysha Mohamedi

Parrasch Heijnen opens an exhibition of new work by Maysha Mohamedi Installation view. LOS ANGELES, CA .-Parrasch Heijnen is presenting Sacred Witness Sacred Menace, the gallerys first exhibition of new work by Los Angeles-based artist Maysha Mohamedi. Maysha Mohamedis large-scale abstract paintings energetically fill the gallery with chromatic boldness. Each piece operates using a record of precious symbols and lyrical markings. The discovery of moments imparted by the artists personal language presents time and place intertwined with identity. In this new body of work, Mohamedi gestures color in a nuanced way, using paint as a trail that tumbles down the canvas.

New yorkUnited statesSan diegoEast hamptonCalifornia college of the artsSan franciscoBlum poeLos angelesMaysha mohamediLaura owensParrasch heijnenLisa diane wedgeworthUniversity of californiaSacred witness menaceLos angeles basedCalifornia college

Looking for the Next Big Thing? Here Are 6 Rising-Star Artists to Seek Out at Frieze New York 2021

Irma (2021). Courtesy of the artist and Perrotin. Who: Kathia St. Hilaire (b. 1995) hails from Miami, Florida, and her paintings draw from her Haitian identity, mixing images of Caribbean seascapes and family gatherings with the ephemera of daily life in the diaspora. Based in: New York and Palm Beach, Florida Showing at: Perrotin Gallery Prices: Her painting Irma, a response to the Hurricane Irma that hit Miami in 2017, sold quickly at the VIP opening. It was priced at $10,000. Why You Should Pay Attention: A recent graduate of Yale’s MFA program, St. Hilaire “is already making groundbreaking work and her career is just beginning,” said collector Bernard Lumpkin. The Lumpkin-Boccuzzi Family Collection of Contemporary Art acquired several of her paintings.

Kwazulu natalSouth africaUnited statesNew yorkUnited kingdomMexico cityDistrito federalSan diegoPalm beachMount desert islandL vivs ka oblastKaryn behnkeBridget donahueHannah hoffmanLeigh boweryParrasch heijnen

How an artist reuses failed paintings by stitching them onto new ones

MORE Kate Barbee, “Nesting,” 2021. Oil paint, quilted scraps, oil pastel, embroidery thread, yarn, and cold wax on canvas. 96 x 120 inches. Image courtesy of the artist and Kohn Gallery. This week’s art picks include an artist who gives failed paintings a new life as stitched-up pseudo-Cubist forms; a new design-focused gallery lights up Chinatown; and paintings that use palindromes to create stunning patterns. Kate Barbee, “Blue Moon,” 2020. Oil paint, cold wax, quilted pieces, embroidery string, and oil pastels on canvas 60 x 50 inches. Image courtesy of the artist and Kohn Gallery. A new exhibition of paintings by Kate Barbee abandons the precious sanctity of the canvas. In rosy paintings, figures swirl and mingle, limbs jut out at impossible angles. Just as her figures are deconstructed in a pseudo-Cubist style, her paintings too are cut apart and then stitched back together. The artist approaches each new work with a bev

Victor prietoKate barbeeXylor janeRuth bader ginsbergSimphiwe ndzubeParrasch heijnenBennet schlesingerSara frenchPrime palindromesChung king roadLos angeles county museumவெற்றியாளர் ப்ரீடோகேட் பார்பிரூத் கெட்டவர் ஜின்ஸ்பெர்க்பார்ரஸ்ச் ஹெய்ஜ்னென்பென்னட் ஶ்லெஸிந்‌ஜர்

Parrasch Heijnen opens an exhibition of new works by Xylor Jane

Parrasch Heijnen opens an exhibition of new works by Xylor Jane Installation view. LOS ANGELES, CA .-Parrasch Heijnen is presenting Back Rub / Foot Rub, an exhibition of new works by American artist Xylor Jane (b.1963, Long Beach, CA). This is the gallerys second solo exhibition with the artist. Janes exploration of unique phenomena found in numbers and patterns produces delicately layered tessellations that achieve mesmerizingly intricate precision. The artists paintings on panel reflect a controlled form of chaos utilizing ideas similar to that of pointillismweight is added in the density of marks, culminating in a complexly resolved image. The labyrinthine forms are highly evolved constructions utilizing numerical systems sectioned within each panel. Jane either methodically plans out each panel beforehand or begins with problematic compositions that resolve through her experimental process.

New yorkUnited statesSan francisco art instituteLong beachFrance generalSanta monica museum of artSanta monicaLos angelesAlmine rechKen priceReggio emiliaCollezione maramottiXylor janeParrasch heijnenJustice ruth bader ginsburgLos angeles times