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Who s Greedier – the Writer or the Producer?

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Alexi Horowitz-Ghazi

Alexi Horowitz-Ghazi is a host and reporter for Planet Money, telling stories that creatively explore and explain the workings of the global economy. He's a sucker for a good supply chain mystery from toilet paper to foster puppies to specialty pastas. He's drawn to tales of unintended consequences, like the time a well-intentioned chemistry professor unwittingly helped unleash a global market for synthetic drugs, or what happened when the U.S. Patent Office started granting patents on human genes. And he's always on the lookout for economic principles at work in unexpected places, like the tactics comedians use to protect their intellectual property (a.k.a. jokes).

Alexi Horowitz-Ghazi

Alexi Horowitz-Ghazi is a host and reporter for Planet Money, telling stories that creatively explore and explain the workings of the global economy. He's a sucker for a good supply chain mystery from toilet paper to foster puppies to specialty pastas. He's drawn to tales of unintended consequences, like the time a well-intentioned chemistry professor unwittingly helped unleash a global market for synthetic drugs, or what happened when the U.S. Patent Office started granting patents on human genes. And he's always on the lookout for economic principles at work in unexpected places, like the tactics comedians use to protect their intellectual property (a.k.a. jokes).

Alexi Horowitz-Ghazi

Alexi Horowitz-Ghazi
ksut.org - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from ksut.org Daily Mail and Mail on Sunday newspapers.

Can the ArcLight Cinema in Hollywood Be Saved?

Jordan Crucchiola The bloodletting started on Monday, when Decurion Corporation announced that it would not be reopening the ArcLight Cinemas and Pacific Theatres locations it had to close during Covid-19. “This was not the outcome anyone wanted, but despite a huge effort that exhausted all potential options,” Decurion said in a statement, “the company does not have a viable way forward.” It was a huge blow, especially considering theaters in California, where the chains operate some 300 screens, were just starting to reopen. It was also a gut-punch to Los Angeles filmgoers who had spent their lives going to the ArcLight location in Hollywood, home to the legendary Cinerama Dome, a landmark on the Sunset Strip since the 1960s.

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