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In two of the more prominent fictional works that are part of the diasporic South Asian literary production, Jhumpa Lahiri’s The Namesake and Mohsin Hamid’s The Reluctant Fundamentalist, food is presented as a conceptual apparatus that makes palatable the tensions of ‘multiculturalism’ and offers a critique of class barriers if not always at the level of economics, but at the

United statesUnited kingdomBangladesh generalMrinalini chakravortyCharles darwinHumayun ahmedSunil gangopadhdhay purbo poschimMohsin hamidJhumpa lahiriParama royKarl marxShilpacharja zainul abedinPrimo leviAdam smithSouth asianReluctant fundamentalist