In music, andante means to play at a slower tempo. Serena Yeo and her septuagenarian students Monica Choi, Yumi Shintani, and Jong W. Won, interpret “Andante” as the chance to
CTBC Bank (中國信託銀行) on Tuesday announced that it is to sponsor a training and cocreation program for theatrical talent, as the COVID-19 pandemic has seriously affected people, groups and businesses in the arts and cultural sector.
The program organized by the Paper Windmill Cultural Foundation (紙風車文教基金會) with the support of the Ministry of Culture is to provide 80 freelance theater workers with a one-month training course along with transportation subsidies. Through private-public cooperation, the program seeks to help retain talent in the nation’s arts and cultural sector.
CTBC, which has long followed and supported the nation’s arts and cultural industry,
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Performance artists must remain true to their vision and promote themselves, instead of waiting for others to show support, Paper Windmill Cultural Foundation CEO Lee Yung-feng (李永豐) said on Tuesday.
Speaking at one of a series of talks organized by the National Kaohsiung Center for the Arts (Weiwuying) and the Sinyi School in Taipei, Lee said that no artist’s creation is so great that they cannot handle their own problems.
“An artist should not just sit around and wait for others to handle their problem out of charity,” the veteran performer and director said.
Citing the foundation’s own challenges, he said that the