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Theatre Review: Becoming Dr Ruth at Theatre J | Maryland Theatre Guide
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Theatre Review: An Almost Holy Picture presented by Everyman Theatre
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Round House presents cathartic, punk-informed, one-woman musical We re Gonna Die
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In the most trying of times, the Round House Theatre has managed to put together a pretty remarkable season, entirely online but leaning on one-person showcases that eliminated the need of distancing among cast members.
They perform on fully dressed theater sets (instead of a Zoom window), before a minuscule audience, either to bolster the actor or provide laughs in the spaces needed.
As with previous offerings this season, the streamed presentation of Lucy Alibar s Throw Me on the Burnpile and Light Me Up begins with the few audience members, in masks and face shields (and sometimes masks
and face shields) entering the lobby and getting their tickets torn. Just 10 people were allowed to see Beth Hylton s performance live for the two performances filmed last month.
Photo by Harold F. Burgess II.
“Throw Me on the Burnpile and Light Me Up,” written by Oscar-nominated (“Beasts of the Southern Wild”) Lucy Alibar, is directed by Ryan Rilette and has opened virtually at the Round House Theatre. The play is a one-woman show starring Beth Hylton (an Everyman Theatre resident company member), one of the best local talents who carries the weight of this play with aplomb.
The play is semi-autobiographical but you will notice parallels to “To Kill a Mockingbird.” It has two main themes. The first is that everyone, no matter how heinous their crimes, has the right to competent counsel when on trial under the 6