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Art, Protest, and the Archives

Art, Protest, and the Archives
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Autonomia and the future of creative work - Artforum International

AFTER THE FALL of Benito Mussolini’s government following World War II, a national referendum voted in favor of a republic. The ostensible rupture with Fascism, however, masked a continuity while cold warriors were largely content to let former Fascist Party functionaries hold governmental and corporate positions of power. Meanwhile, though left-wing parties gained national legitimacy after the Resistance, they increasingly favored the development of productive forces while stamping out revolutionary aspirations. In the early ’60s, during Italy’s so-called “economic miracle,” dissident Marxist

Casa da Cultura de Comporta presents I Could Eat You

A brief history of the Italian section of the Situationist International - Miguel Amorós (updated and revised December 2017)

A revised and updated (December 2017) account of the second Italian Section of the Situationist International (members: Gianfranco Sanguinetti, Paolo Salvadori, Claudio Pavan and Eduardo Rothe) from its origins in the youth culture protests of the mid-1960s to its collapse during the state terror campaign of the 1970s, including discussions of the precursor journal S, the influence of the French situationists and May ‘68, the role played by the “organizational question”, the various publications of the Italian Section, its isolation from the other radical currents in Italy and the sordid personality conflicts that plagued the Section and finally led to its dissolution in 1971.

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