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The Strad News - Cellist Luka Coetzee signs with Sheldon Artists

The Strad News - Cellist Luka Coetzee signs with Sheldon Artists
thestrad.com - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from thestrad.com Daily Mail and Mail on Sunday newspapers.

Bold and brilliant Music Network concert in Carrick-on-Shannon

Next Pablo Casals International Award has been announced - Pizzicato

Next Pablo Casals International Award has been announced - Pizzicato
pizzicato.lu - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from pizzicato.lu Daily Mail and Mail on Sunday newspapers.

When the cellos play, the cows come home

When the cellos play, the cows come home The students of the Scandinavian Cello School perform for Mogens and Louise Haugaard’s cows in Lund, Denmark, April 23, 2021. A collaboration between a cattle farmer and a Danish music training program brings regular recitals to pampered livestock. Carsten Snejbjerg/The New York Times. by Lisa Abend (NYT NEWS SERVICE) .- During a recent performance of Tchaikovsky’s “Pezzo Capriccioso,” a handful of audience members leaned forward attentively, their eyes bright, a few encouraging snuffles escaping from the otherwise hushed parterre. Though relative newcomers to classical music, they seemed closely attuned to the eight cellists onstage, raising their heads abruptly as the piece’s languid strains gave way to rapid-fire bow strokes.

When the Cellos Play, the Cows Come Home

When the Cellos Play, the Cows Come Home A collaboration between a cattle farmer and a Danish music training program brings regular recitals to pampered livestock. The Students of the Scandinavian Cello School performing for Mogens and Louise Haugaard’s cows on April 23.Credit.Carsten Snejbjerg for The New York Times By Lisa Abend LUND, Denmark During a recent performance of Tchaikovsky’s “Pezzo Capriccioso,” a handful of audience members leaned forward attentively, their eyes bright, a few encouraging snuffles escaping from the otherwise hushed parterre. Though relative newcomers to classical music, they seemed closely attuned to the eight cellists onstage, raising their heads abruptly as the piece’s languid strains gave way to rapid-fire bow strokes.

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