“The film is set in Morocco and Spain, but the filming will be done in Croatia, which is challenging in itself. Still, the experienced and well-prepared crew we will be working with in Croatia will make it that much easier,” says producer
Germen Boelens,of Revolver Amsterdam.
Nukleus Film s
Siniša Juričić adds: The filming is very challenging. The crew gets tested every two days; the director remains in her so-called ‘bubble’ along with only a handful of other people… We have made a great effort in terms of security, with the Netherlands Film Fund having provided financial support in that regard. I should also point out that the Croatian Audiovisual Centre was very helpful in providing assistance with bringing our actress over from Morocco, which is currently a country without a visa or diplomatic system.
“Aïcha la bien-aimée du Prophet” by Geneviève Chauvel
Note: This review is very large and I opted to split it into 2 parts. The second part will start when Prophet Muhammad died.
I decided to review “
Aicha, the most beloved wife of the Prophet” for the chronicles of the active life of the Prophet Muhammad, and the specific circumstances that revealed the messages from Archangel Gabriel. Aicha lived to be 67 of age and experienced Islam since she was born, and
she died as Islam was splitting into schisms.
Aicha was born in 616 in Mecca and she was redheaded like her maternal grandmother. Her father Abu Bakr, later the first Caliph,
I Will Greet the Sun Again: A Conversation With Shirin Neshat glasstire.com - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from glasstire.com Daily Mail and Mail on Sunday newspapers.
Where are the new Arab icons?
As the photo of Fairouz talking to French President Emmanuel Macron spread around the world, many asked if Arabs today had any contemporary stars of Fairouz s standing. In this essay for Qantara.de, Khaled Al-Khamissi answers this question and asks whether there is a place for up-and-coming stars in a world that is so hostile to creativity and originality
Why haven t we seen any stars take the place of the Arab greats like Fairouz, Taha Hussein, Umm Kulthum and Muhammad Abdel-Wahhab? Do we have today any short storytellers of Youssef Idris stature? Or any novelists to match Naguib Mahfouz? Or anyone in theatre who can compare with Tawfiq Al-Hakim?