In 1981, esteemed curator and writer Carla Stellweg invited then-Los Angeles-based artist Roberto Gil de Montes to work with her in Mexico City as a guest editor for a special issue of Artes Visuales on Chicana/o art.
“My drawings were always kind of grim and dark, and leaning toward the nasty part of art, whatever you want to call it,” Jones explains in an interview with Hyperallergic.