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Peacock Announces WWE Evil, Joe Montana Doc and 3 More Docs
Home » Peacock Announces WWE Evil, Joe Montana Doc and 3 More Docs
NBCUniversal’s Peacock has announced new programming coming to the streaming service, including a John Cena WWE series, a Joe Montana documentary, and three more documentaries.
WWE programming on Peacock is expanding with a new original series,
WWE Evil. The show is an entertaining ‘psychological expose’ into the minds of the most diabolical antagonists in WWE history, and their impact on mainstream culture.
WWE Evil was created by John Cena, who will narrate and executive produce.
Peacock also announced the development of a documentary about Joe Montana, one of the greatest quarterbacks of all time. The multipart series features Montana’s first-hand account of his career from earliest days as a high school All-American, to National Champion at Notre Dame and ultimately becoming a four-time Super Bowl winner and NFL Hall of Fame inductee.
Peacock sets unscripted UFO series with Demi Lovato, grows doc slate NBCUniversal’s Peacock is growing its unscripted lineup with a number of feature films, a true crime docuseries and an unscripted series starring Demi Lovato.
The streaming service is getting into the UFO business with . May 11, 2021
NBCUniversal’s Peacock is growing its unscripted lineup with a number of feature films, a true crime docuseries and an unscripted series starring Demi Lovato.
The streaming service is getting into the UFO business with the four-part limited series
Unidentified with Demi Lovato (w/t), which finds the multi-hyphenate singer, actress, activist, producer and bestselling author (pictured) star and executive produce.
His House
It was a scary year. From corporate multiplexes to mom-and-pop operations, theaters shuttered for good or reopened to lackluster pandemic box office reports. More eyes turned toward platforms like Netflix, Shudder, and other providers scrambling for hot-ticket exclusives. But with titles like “Candyman,” “Halloween Kills,” and even A24 notables like “Saint Maud” vacating their 2020 slots, international fare always destined for video-on-demand premieres no longer faced the same mainstream competition. Tales of terror produced outside American borders became more commonly seen and essential to the horror genre.
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Among these ranks are films and talents that drive the conversation behind broader representation in horror by exemplifying how originality starts with acceptance. As American government officials debate about walling the country off from neighboring lands, the horror genre is actively working to smash these ugly barriers to rubble. Acco